Sequences VIII: Elastic Hours
Presented constellations of art installations, performances, sonic works, video, and public interventions throughout the city of Reykjavík.
While the Sequences festival uses the term “real time” to refer to time-based media, “Elastic Hours” considers how the term might be applied to the experience of art making, exploring how artists manipulate time as a raw material. The term “real time” also inherently conjures a juxtaposition with “unreal time,” posing the question as to why an abstract metric such as a clock may be considered more real than time as it is subjectively experienced. The clock allows for synchronicity, yet our concept of time is limited when considering microscopic or geologic time scales. Stretching, echoing, and inverting hours, the works included in Sequences VIII often go beyond standardized metrics to investigate alternative systems. These works remind us that our daily rhythms are not solely determined by tradition and locality but can be individualized—customized even—or rooted in natural forces beyond our control.
Curator: Margot Norton
Honorary Artist: Joan Jonas
